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“SOFT WATER HARD STONE,” THE FIFTH NEW MUSEUM TRIENNIAL, BRINGS TOGETHER WORKS ACROSS MEDIUMS BY FORTY ARTISTS AND COLLECTIVES FROM AROUND THE WORLD

The title of the 2021 Triennial, “Soft Water Hard Stone,” is taken from a Brazilian proverb, versions of which are found across cultures: Água mole em pedra dura, tanto bate até que fura (Soft water on hard stone hits until it bores a hole).

The proverb can be said to have two meanings: if one persists long enough, the desired effect can eventually be achieved; and time can destroy even the most perceptibly solid materials. The title speaks to ideas of resilience and perseverance, and the impact that an insistent yet discrete gesture can have in time. It also provides a metaphor for resistance, as water – a constantly flowing and transient material – is capable of eventually dissolving stone – a substance associated with permanence, but also composed of tiny particles that can collapse under pressure.

In this moment of profound change, where structures that were once thought to be stable are disintegrating or on the edge of collapse, the 2021 Triennial recognizes artists reenvisioning traditional models, materials, and techniques beyond established paradigms. Their works exalt states of transformation, calling attention to the malleability of structures, porous and unstable surfaces, and the fluid and adaptable potential of both technological and organic mediums. Throughout the exhibition, artists address the regenerative potential of the natural world and our inseparable relationship to it, and grapple with entrenched legacies of colonialism, displacement, and violence. Their works look back at overlooked histories and artistic traditions, while at the same time look forward toward the creative potential that might give dysfunctional or discarded remains new life. It is through their reconfigurations and reimaginings that we are reminded of not only our temporality, but also our adaptability – fundamental characteristics we share, and that keep us human.

“Soft Water Hard Stone” is curated by Margot Norton, Allen and Lola Goldring Curator at the New Museum, and Jamillah James, Senior Curator, The Institute of Contemporary Art, Los Angeles (ICA LA), with Jeanette Bisschops, Curatorial Fellow, and Bernardo Mosqueira, ISLAA Curatorial Fellow.

The exhibition is accompanied by a fully illustrated catalogue copublished by the New Museum and Phaidon Press Limited. Designed by Elizabeth Karp-Evans and Adam Turnbull of Studio Pacific, the catalogue and includes contributions from Jamillah James, Margot Norton, Karen Archey, Eunsong Kim, and Bernardo Mosqueira, and features original interviews with all forty artists participating in the exhibition.

(Available in <https://www.newmuseum.org/exhibitions/view/2021-triennial-softwater- hard-stone>. Accessed in: May 23rd 2022.)

Text to answer to question

“SOFT WATER HARD STONE,” THE FIFTH NEW MUSEUM TRIENNIAL, BRINGS TOGETHER WORKS ACROSS MEDIUMS BY FORTY ARTISTS AND COLLECTIVES FROM AROUND THE WORLD

The title of the 2021 Triennial, “Soft Water Hard Stone,” is taken from a Brazilian proverb, versions of which are found across cultures: Água mole em pedra dura, tanto bate até que fura (Soft water on hard stone hits until it bores a hole).

The proverb can be said to have two meanings: if one persists long enough, the desired effect can eventually be achieved; and time can destroy even the most perceptibly solid materials. The title speaks to ideas of resilience and perseverance, and the impact that an insistent yet discrete gesture can have in time. It also provides a metaphor for resistance, as water – a constantly flowing and transient material – is capable of eventually dissolving stone – a substance associated with permanence, but also composed of tiny particles that can collapse under pressure.

In this moment of profound change, where structures that were once thought to be stable are disintegrating or on the edge of collapse, the 2021 Triennial recognizes artists reenvisioning traditional models, materials, and techniques beyond established paradigms. Their works exalt states of transformation, calling attention to the malleability of structures, porous and unstable surfaces, and the fluid and adaptable potential of both technological and organic mediums. Throughout the exhibition, artists address the regenerative potential of the natural world and our inseparable relationship to it, and grapple with entrenched legacies of colonialism, displacement, and violence. Their works look back at overlooked histories and artistic traditions, while at the same time look forward toward the creative potential that might give dysfunctional or discarded remains new life. It is through their reconfigurations and reimaginings that we are reminded of not only our temporality, but also our adaptability – fundamental characteristics we share, and that keep us human.

“Soft Water Hard Stone” is curated by Margot Norton, Allen and Lola Goldring Curator at the New Museum, and Jamillah James, Senior Curator, The Institute of Contemporary Art, Los Angeles (ICA LA), with Jeanette Bisschops, Curatorial Fellow, and Bernardo Mosqueira, ISLAA Curatorial Fellow.

The exhibition is accompanied by a fully illustrated catalogue copublished by the New Museum and Phaidon Press Limited. Designed by Elizabeth Karp-Evans and Adam Turnbull of Studio Pacific, the catalogue and includes contributions from Jamillah James, Margot Norton, Karen Archey, Eunsong Kim, and Bernardo Mosqueira, and features original interviews with all forty artists participating in the exhibition.

(Available in <https://www.newmuseum.org/exhibitions/view/2021-triennial-softwater- hard-stone>. Accessed in: May 23rd 2022.)