This text refers to question.
Remembrance of things past is often dearest to those who are bored or driven to despair by the world around them. To these the contemplation of times gone by brings surcease from current burdens too heavy to bear. “Take not away from me” implored the Emperor Julian, world-weary monarch in another age of disenchantment, “this mad love for that which no longer is. That which has been is more splendidly beautiful than all that is…” To others, concerned as watchers and movers with the challenge of today and the promise or menace of tomorrow, the tale of many yesterdays, reconstructed by the history and the science of living men and women, has another meaning.
By revealing what has gone before, it illumines the act of the human adventure now being played and suggests the pattern of acts to come. The drama of earthborn and earthbound humanity, despite all its crises and intermissions, is a continuous story. All the characters are prisoners of time. All the problems of the now are forever shaped by the experiences of a then which extends back in unbroken sequence to the origins of life. Each generation has freedom to choose among alternative designs for destiny, and opportunity to win some measure of mastery over its fate, only to the extent of its comprehension of where it stands in the cavalcade of years, decades, centuries, and millennia ticked off by the spinning planet.
Remembrance of things past is often dearest to those who are bored or driven to despair by the world around them. To these the contemplation of times gone by brings surcease from current burdens too heavy to bear. “Take not away from me” implored the Emperor Julian, world-weary monarch in another age of disenchantment, “this mad love for that which no longer is. That which has been is more splendidly beautiful than all that is…” To others, concerned as watchers and movers with the challenge of today and the promise or menace of tomorrow, the tale of many yesterdays, reconstructed by the history and the science of living men and women, has another meaning.
By revealing what has gone before, it illumines the act of the human adventure now being played and suggests the pattern of acts to come. The drama of earthborn and earthbound humanity, despite all its crises and intermissions, is a continuous story. All the characters are prisoners of time. All the problems of the now are forever shaped by the experiences of a then which extends back in unbroken sequence to the origins of life. Each generation has freedom to choose among alternative designs for destiny, and opportunity to win some measure of mastery over its fate, only to the extent of its comprehension of where it stands in the cavalcade of years, decades, centuries, and millennia ticked off by the spinning planet.
Frederick L. Schuman. International politics: the destiny of the Western state system. New York: McGraw-Hill, 1948, p. 1 (adapted).
Still in the fields of semantics and grammar of the text, judge if the item below are right (C) or wrong (E).
The words “crises” and “millennia”, as well as theses and fulcra, can only be found in their plural forms.
The words “crises” and “millennia”, as well as theses and fulcra, can only be found in their plural forms.