Magna Concursos

Foram encontradas 1.583 questões.

3585299 Ano: 2025
Disciplina: Português
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:

Considerando os elementos língua, cultura e sociedade, julgue o item a seguir.

Uma língua não pode sobreviver sem uma sociedade, da mesma forma que uma sociedade não pode existir sem língua.

 

Provas

Questão presente nas seguintes provas
3585298 Ano: 2025
Disciplina: Português
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:

Considerando os elementos língua, cultura e sociedade, julgue o item a seguir.

Todas as diferenças linguísticas entre as regiões do Brasil têm uma única causa comum: o processo histórico de colonização.

 

Provas

Questão presente nas seguintes provas
3585297 Ano: 2025
Disciplina: Português
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:

Considerando os elementos língua, cultura e sociedade, julgue o item a seguir.

O uso de gírias e neologismos só tem conexão com o contexto histórico e cultural da geração dos jovens.

 

Provas

Questão presente nas seguintes provas
3585296 Ano: 2025
Disciplina: Português
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:

Considerando os elementos língua, cultura e sociedade, julgue o item a seguir.

A cultura é unicamente individual e não está relacionada à linguagem.

 

Provas

Questão presente nas seguintes provas
3585295 Ano: 2025
Disciplina: Português
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:

Considerando os elementos língua, cultura e sociedade, julgue o item a seguir.

As transformações sociais e culturais refletem-se na linguagem, afetando o modo como esta é utilizada.

 

Provas

Questão presente nas seguintes provas
3585294 Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems written in collaboration with the photographer Roger Ballen, whose photographic negatives are reproduced in the book. The images are mostly terrifying, in keeping with the otherworldly inclination of the poems. This bilingual edition includes Tinti’s original Italian poems with English translations by David Graham, interspersed with Greek lines taken from inscriptions found on archaeological objects and from ancient Greek texts.
The book is inspired by the Petavatthu, a Theravada Buddhist scripture that includes stories about the realm of the “hungry ghosts,” a category of supernatural beings ubiquitous in East and South Asian religions, with section headings such as “Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry Ghosts.” T he poems are quite short and try to emulate the obscure, esoteric quality of scriptural language, though they struggle, at times, under the weight of too many venerable references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org>(adapted).

About the linguistic and lexical features of the preceding text, judge the following item.

The word “though” (last sentence of the second paragraph) is used to introduce a concessive clause.

 

Provas

Questão presente nas seguintes provas
3585293 Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems written in collaboration with the photographer Roger Ballen, whose photographic negatives are reproduced in the book. The images are mostly terrifying, in keeping with the otherworldly inclination of the poems. This bilingual edition includes Tinti’s original Italian poems with English translations by David Graham, interspersed with Greek lines taken from inscriptions found on archaeological objects and from ancient Greek texts.
The book is inspired by the Petavatthu, a Theravada Buddhist scripture that includes stories about the realm of the “hungry ghosts,” a category of supernatural beings ubiquitous in East and South Asian religions, with section headings such as “Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry Ghosts.” T he poems are quite short and try to emulate the obscure, esoteric quality of scriptural language, though they struggle, at times, under the weight of too many venerable references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org>(adapted).

About the linguistic and lexical features of the preceding text, judge the following item.

In the sentence “The poems are quite short” (last sentence of the second paragraph), “quite” is a degree adverb modifying the adjective “short”.

 

Provas

Questão presente nas seguintes provas
3585292 Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems written in collaboration with the photographer Roger Ballen, whose photographic negatives are reproduced in the book. The images are mostly terrifying, in keeping with the otherworldly inclination of the poems. This bilingual edition includes Tinti’s original Italian poems with English translations by David Graham, interspersed with Greek lines taken from inscriptions found on archaeological objects and from ancient Greek texts.
The book is inspired by the Petavatthu, a Theravada Buddhist scripture that includes stories about the realm of the “hungry ghosts,” a category of supernatural beings ubiquitous in East and South Asian religions, with section headings such as “Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry Ghosts.” T he poems are quite short and try to emulate the obscure, esoteric quality of scriptural language, though they struggle, at times, under the weight of too many venerable references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org>(adapted).

About the linguistic and lexical features of the preceding text, judge the following item.

The word “otherworldly” (second sentence of the first paragraph) is a synonym for abstract.

 

Provas

Questão presente nas seguintes provas
3585291 Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems written in collaboration with the photographer Roger Ballen, whose photographic negatives are reproduced in the book. The images are mostly terrifying, in keeping with the otherworldly inclination of the poems. This bilingual edition includes Tinti’s original Italian poems with English translations by David Graham, interspersed with Greek lines taken from inscriptions found on archaeological objects and from ancient Greek texts.
The book is inspired by the Petavatthu, a Theravada Buddhist scripture that includes stories about the realm of the “hungry ghosts,” a category of supernatural beings ubiquitous in East and South Asian religions, with section headings such as “Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry Ghosts.” T he poems are quite short and try to emulate the obscure, esoteric quality of scriptural language, though they struggle, at times, under the weight of too many venerable references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org>(adapted).

About the linguistic and lexical features of the preceding text, judge the following item.

In the text, the word “terrifying” (second sentence of the first paragraph) conveys a sense of intense fear and is an adjective formed from the verb to terrify.

 

Provas

Questão presente nas seguintes provas
3585290 Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
Gabriele Tinti’s Hungry Ghosts is a cycle of 51 poems written in collaboration with the photographer Roger Ballen, whose photographic negatives are reproduced in the book. The images are mostly terrifying, in keeping with the otherworldly inclination of the poems. This bilingual edition includes Tinti’s original Italian poems with English translations by David Graham, interspersed with Greek lines taken from inscriptions found on archaeological objects and from ancient Greek texts.
The book is inspired by the Petavatthu, a Theravada Buddhist scripture that includes stories about the realm of the “hungry ghosts,” a category of supernatural beings ubiquitous in East and South Asian religions, with section headings such as “Abandoned Ghosts,” “Protectors,” “Guardians,” and “Hungry Ghosts.” T he poems are quite short and try to emulate the obscure, esoteric quality of scriptural language, though they struggle, at times, under the weight of too many venerable references drawn from both Buddhist and Greek traditions.
Internet:<poetryfoundation.org>(adapted).

About the linguistic and lexical features of the preceding text, judge the following item.

Both “written” and “reproduced” (first sentence) are past participles and are used, in the text, in passive voice constructions.

 

Provas

Questão presente nas seguintes provas