Foram encontradas 1.583 questões.
3585269
Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
We do not know how art began any more than we know
how language started. If we take art to mean such activities as
building temples and houses, making pictures and sculptures, or
weaving patterns, there is no people in all the world without art.
If, on the other hand, we mean by art some kind of beautiful
luxury, something to enjoy in museums and exhibitions or
something special to use as a precious decoration in the best
parlour, we must realize that this use of the word is a very recent
development. We can best understand this difference if we think
of architecture. There is scarcely any building in the world which
was not erected for a particular purpose. Those who use these
buildings as places of worship or entertainment, or as dwellings,
judge them first and foremost by standards of utility. But apart
from this, they may like or dislike the design or the proportions
of the structure, and appreciate the efforts of the good architect to
make it not only practical but right. In the past the attitude to
paintings and statues was often similar. They were not thought of
as mere works of art but as objects which had a definite function.
Similarly, we are not likely to understand the art of the
past if we are quite ignorant of the aims it had to serve. The
further we go back in history, the more definite but also the more
strange are the aims which art was supposed to serve. The same
applies if we leave towns and cities and go to the peasants or,
better still, if we travel to the peoples whose ways of life still
resemble the conditions in which our remote ancestors lived.
Among them there is no difference between building and
image-making as far as usefulness is concerned. Their huts are
there to shelter them from rain, wind and sunshine and the spirits
which produce them; images are made to protect them against
other powers which are, to them, as real as the forces of nature.
Pictures and statues, in other words, are used to work magic.
E. H. Gombrich. The story of art.
New York, Phaidon, 2024. 16th ed. p. 9-10 (adapted).
Based on the previous text, its ideas and its linguistic aspects, judge the following item.
In the first paragraph, the author states that, in the past, no buildings were built without a practical purpose or reason.
Provas
Questão presente nas seguintes provas
3585268
Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
We do not know how art began any more than we know
how language started. If we take art to mean such activities as
building temples and houses, making pictures and sculptures, or
weaving patterns, there is no people in all the world without art.
If, on the other hand, we mean by art some kind of beautiful
luxury, something to enjoy in museums and exhibitions or
something special to use as a precious decoration in the best
parlour, we must realize that this use of the word is a very recent
development. We can best understand this difference if we think
of architecture. There is scarcely any building in the world which
was not erected for a particular purpose. Those who use these
buildings as places of worship or entertainment, or as dwellings,
judge them first and foremost by standards of utility. But apart
from this, they may like or dislike the design or the proportions
of the structure, and appreciate the efforts of the good architect to
make it not only practical but right. In the past the attitude to
paintings and statues was often similar. They were not thought of
as mere works of art but as objects which had a definite function.
Similarly, we are not likely to understand the art of the
past if we are quite ignorant of the aims it had to serve. The
further we go back in history, the more definite but also the more
strange are the aims which art was supposed to serve. The same
applies if we leave towns and cities and go to the peasants or,
better still, if we travel to the peoples whose ways of life still
resemble the conditions in which our remote ancestors lived.
Among them there is no difference between building and
image-making as far as usefulness is concerned. Their huts are
there to shelter them from rain, wind and sunshine and the spirits
which produce them; images are made to protect them against
other powers which are, to them, as real as the forces of nature.
Pictures and statues, in other words, are used to work magic.
E. H. Gombrich. The story of art.
New York, Phaidon, 2024. 16th ed. p. 9-10 (adapted).
Based on the previous text, its ideas and its linguistic aspects, judge the following item.
The author distinguishes between two different notions of art, one of which he points out to be a recent development.
Provas
Questão presente nas seguintes provas
3585267
Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
We do not know how art began any more than we know
how language started. If we take art to mean such activities as
building temples and houses, making pictures and sculptures, or
weaving patterns, there is no people in all the world without art.
If, on the other hand, we mean by art some kind of beautiful
luxury, something to enjoy in museums and exhibitions or
something special to use as a precious decoration in the best
parlour, we must realize that this use of the word is a very recent
development. We can best understand this difference if we think
of architecture. There is scarcely any building in the world which
was not erected for a particular purpose. Those who use these
buildings as places of worship or entertainment, or as dwellings,
judge them first and foremost by standards of utility. But apart
from this, they may like or dislike the design or the proportions
of the structure, and appreciate the efforts of the good architect to
make it not only practical but right. In the past the attitude to
paintings and statues was often similar. They were not thought of
as mere works of art but as objects which had a definite function.
Similarly, we are not likely to understand the art of the
past if we are quite ignorant of the aims it had to serve. The
further we go back in history, the more definite but also the more
strange are the aims which art was supposed to serve. The same
applies if we leave towns and cities and go to the peasants or,
better still, if we travel to the peoples whose ways of life still
resemble the conditions in which our remote ancestors lived.
Among them there is no difference between building and
image-making as far as usefulness is concerned. Their huts are
there to shelter them from rain, wind and sunshine and the spirits
which produce them; images are made to protect them against
other powers which are, to them, as real as the forces of nature.
Pictures and statues, in other words, are used to work magic.
E. H. Gombrich. The story of art.
New York, Phaidon, 2024. 16th ed. p. 9-10 (adapted).
Based on the previous text, its ideas and its linguistic aspects, judge the following item.
According to the author, works of art of the past were produced for purposes which went beyond being beautiful.
Provas
Questão presente nas seguintes provas
3585266
Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
We do not know how art began any more than we know
how language started. If we take art to mean such activities as
building temples and houses, making pictures and sculptures, or
weaving patterns, there is no people in all the world without art.
If, on the other hand, we mean by art some kind of beautiful
luxury, something to enjoy in museums and exhibitions or
something special to use as a precious decoration in the best
parlour, we must realize that this use of the word is a very recent
development. We can best understand this difference if we think
of architecture. There is scarcely any building in the world which
was not erected for a particular purpose. Those who use these
buildings as places of worship or entertainment, or as dwellings,
judge them first and foremost by standards of utility. But apart
from this, they may like or dislike the design or the proportions
of the structure, and appreciate the efforts of the good architect to
make it not only practical but right. In the past the attitude to
paintings and statues was often similar. They were not thought of
as mere works of art but as objects which had a definite function.
Similarly, we are not likely to understand the art of the
past if we are quite ignorant of the aims it had to serve. The
further we go back in history, the more definite but also the more
strange are the aims which art was supposed to serve. The same
applies if we leave towns and cities and go to the peasants or,
better still, if we travel to the peoples whose ways of life still
resemble the conditions in which our remote ancestors lived.
Among them there is no difference between building and
image-making as far as usefulness is concerned. Their huts are
there to shelter them from rain, wind and sunshine and the spirits
which produce them; images are made to protect them against
other powers which are, to them, as real as the forces of nature.
Pictures and statues, in other words, are used to work magic.
E. H. Gombrich. The story of art.
New York, Phaidon, 2024. 16th ed. p. 9-10 (adapted).
Based on the previous text, its ideas and its linguistic aspects, judge the following item.
The author of the text uses architecture as an example because he considers it the best form of art from the past.
Provas
Questão presente nas seguintes provas
3585265
Ano: 2025
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Disciplina: Inglês (Língua Inglesa)
Banca: CESPE / CEBRASPE
Orgão: InoversaSul
Provas:
We do not know how art began any more than we know
how language started. If we take art to mean such activities as
building temples and houses, making pictures and sculptures, or
weaving patterns, there is no people in all the world without art.
If, on the other hand, we mean by art some kind of beautiful
luxury, something to enjoy in museums and exhibitions or
something special to use as a precious decoration in the best
parlour, we must realize that this use of the word is a very recent
development. We can best understand this difference if we think
of architecture. There is scarcely any building in the world which
was not erected for a particular purpose. Those who use these
buildings as places of worship or entertainment, or as dwellings,
judge them first and foremost by standards of utility. But apart
from this, they may like or dislike the design or the proportions
of the structure, and appreciate the efforts of the good architect to
make it not only practical but right. In the past the attitude to
paintings and statues was often similar. They were not thought of
as mere works of art but as objects which had a definite function.
Similarly, we are not likely to understand the art of the
past if we are quite ignorant of the aims it had to serve. The
further we go back in history, the more definite but also the more
strange are the aims which art was supposed to serve. The same
applies if we leave towns and cities and go to the peasants or,
better still, if we travel to the peoples whose ways of life still
resemble the conditions in which our remote ancestors lived.
Among them there is no difference between building and
image-making as far as usefulness is concerned. Their huts are
there to shelter them from rain, wind and sunshine and the spirits
which produce them; images are made to protect them against
other powers which are, to them, as real as the forces of nature.
Pictures and statues, in other words, are used to work magic.
E. H. Gombrich. The story of art.
New York, Phaidon, 2024. 16th ed. p. 9-10 (adapted).
Based on the previous text, its ideas and its linguistic aspects, judge the following item.
The information presented in the last sentence of the text means that, to the peoples mentioned by the author in the end of the second paragraph, art objects, like pictures and statues, have supernatural powers.
Provas
Questão presente nas seguintes provas
No que se refere à valorização do conhecimento prévio e de mundo do aluno e à interação em sala de aula, julgue o item que se segue.
A prática de um ensino crítico e investigativo é vista pela pedagogia freireana como irrelevante para que o aluno se reconheça em seu contexto social.
Provas
Questão presente nas seguintes provas
No que se refere à valorização do conhecimento prévio e de mundo do aluno e à interação em sala de aula, julgue o item que se segue.
O ponto de partida do diálogo na sala de aula deve ser estabelecido de forma unilateral, com o educador impondo suas ideias aos alunos.
Provas
Questão presente nas seguintes provas
No que se refere à valorização do conhecimento prévio e de mundo do aluno e à interação em sala de aula, julgue o item que se segue.
O papel do educador é essencialmente isento de qualquer reflexão prévia sobre o conteúdo a ser abordado em sala de aula, devendo a interação singular com cada turma guiar a prática pedagógica do professor.
Provas
Questão presente nas seguintes provas
No que se refere à valorização do conhecimento prévio e de mundo do aluno e à interação em sala de aula, julgue o item que se segue.
O desenvolvimento cognitivo infantil ocorre de forma linear e previsível, conforme teorizado por Piaget, devendo o professor, portanto, utilizar o conhecimento prévio do aluno como base para propor novos ensinamentos.
Provas
Questão presente nas seguintes provas
No que se refere à valorização do conhecimento prévio e de mundo do aluno e à interação em sala de aula, julgue o item que se segue.
A noção de regressões indefinidas, segundo a qual é possível sempre retroceder a bases anteriores que sustentam o conhecimento atual, indica que é possível descobrir uma única origem para todos os conceitos a serem ensinados ao aluno.
Provas
Questão presente nas seguintes provas
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