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Disciplina: Inglês (Língua Inglesa)
Banca: IVIN
Orgão: Pref. São Domingos Capim-PA
TEXT 1
Why is music good for the brain?
October 7, 2020
By Andrew E. Budson, MD, Editorial Advisory Board Member, Harvard Health Publishing

1. Can music really affect your well-being, learning, cognitive function, quality of life, and even happiness? Hand in a recent survey on music and brain health conducted by AARP revealed some interesting findings about the impact of music on cognitive and emotional well-being: music listeners had higher scores for mental well-being and slightly reduced levels of anxiety and depression compared to people overall.
2. Of survey respondents who currently go to musical performances, 69% rated their brain health as “excellent” or “very good,” compared to 58% for those who went in the past and 52% for those who never attended. Of those who reported often being exposed to music as a child, 68% rated their ability to learn new things as “excellent” or “very good,” compared to 50% of those who were not exposed to music.
3. Active musical engagement, including those over age 50, was associated with higher rates of happiness and good cognitive function. Adults with no early music exposure but who currently engage in some music appreciation show above average mental well-being scores. Those are pretty impressive results, to be sure. However, this 20-minute online survey has some limitations. For one, it included 3,185 US adults ages 18 and older; that is a small number if you are extrapolating to 328 million people across the country. For another, it is really a survey of people’s opinions. For example, although people might report their brain health as “excellent,” there was no objective measure of brain health such as an MRI scan, or even a test to measure their cognition.
4. Lastly, even if the ratings were true, the findings are only correlations. They do not prove that, for example, it was the exposure to music as a child that led to one’s improved ability to learn new things. It may be equally likely that those children brought up in more affluent households were both more likely to be exposed to music and to be given a good education that led to their being able to easily learn new things later in life.
5. Music has been shown to activate some of the broadest and most diverse networks of the brain. Of course, music activates the auditory cortex in the temporal lobes close to your ears, but that’s just the beginning. The parts of the brain involved in emotion are not only activated during emotional music, they are also synchronized. Music also activates a variety of memory regions. And, interestingly, music activates the motor system. In fact, it has been theorized that it is the activation of the brain’s motor system that allows us to pick out the beat of the music even before we start tapping our foot to it!
6. Okay, get along! so music activates just about all of the brain. Why is that so important? Well, have you ever heard the expression, “If you don’t use it, you’ll lose it”? It turns out this is actually true in the brain. Brain pathways — and even whole networks — are strengthened when they are used and are weakened when they are not used. The reason is that the brain is efficient; it isn’t going to bother keeping a brain pathway strong when it hasn’t been used in many years. The brain will use the neurons in that pathway for something else. These types of changes should be intuitively obvious to you — that’s why it is harder to speak that foreign language if you haven’t used it in 20 years; many of the old pathways have degraded and the neurons are being used for other purposes.
BUDSON, Andrew E. Why is music good for the brain? Harvard Health Publishing, 7 out. 2020. Disponível em:
Provas
Disciplina: Inglês (Língua Inglesa)
Banca: IVIN
Orgão: Pref. São Domingos Capim-PA
TEXT 1
Why is music good for the brain?
October 7, 2020
By Andrew E. Budson, MD, Editorial Advisory Board Member, Harvard Health Publishing

1. Can music really affect your well-being, learning, cognitive function, quality of life, and even happiness? Hand in a recent survey on music and brain health conducted by AARP revealed some interesting findings about the impact of music on cognitive and emotional well-being: music listeners had higher scores for mental well-being and slightly reduced levels of anxiety and depression compared to people overall.
2. Of survey respondents who currently go to musical performances, 69% rated their brain health as “excellent” or “very good,” compared to 58% for those who went in the past and 52% for those who never attended. Of those who reported often being exposed to music as a child, 68% rated their ability to learn new things as “excellent” or “very good,” compared to 50% of those who were not exposed to music.
3. Active musical engagement, including those over age 50, was associated with higher rates of happiness and good cognitive function. Adults with no early music exposure but who currently engage in some music appreciation show above average mental well-being scores. Those are pretty impressive results, to be sure. However, this 20-minute online survey has some limitations. For one, it included 3,185 US adults ages 18 and older; that is a small number if you are extrapolating to 328 million people across the country. For another, it is really a survey of people’s opinions. For example, although people might report their brain health as “excellent,” there was no objective measure of brain health such as an MRI scan, or even a test to measure their cognition.
4. Lastly, even if the ratings were true, the findings are only correlations. They do not prove that, for example, it was the exposure to music as a child that led to one’s improved ability to learn new things. It may be equally likely that those children brought up in more affluent households were both more likely to be exposed to music and to be given a good education that led to their being able to easily learn new things later in life.
5. Music has been shown to activate some of the broadest and most diverse networks of the brain. Of course, music activates the auditory cortex in the temporal lobes close to your ears, but that’s just the beginning. The parts of the brain involved in emotion are not only activated during emotional music, they are also synchronized. Music also activates a variety of memory regions. And, interestingly, music activates the motor system. In fact, it has been theorized that it is the activation of the brain’s motor system that allows us to pick out the beat of the music even before we start tapping our foot to it!
6. Okay, get along! so music activates just about all of the brain. Why is that so important? Well, have you ever heard the expression, “If you don’t use it, you’ll lose it”? It turns out this is actually true in the brain. Brain pathways — and even whole networks — are strengthened when they are used and are weakened when they are not used. The reason is that the brain is efficient; it isn’t going to bother keeping a brain pathway strong when it hasn’t been used in many years. The brain will use the neurons in that pathway for something else. These types of changes should be intuitively obvious to you — that’s why it is harder to speak that foreign language if you haven’t used it in 20 years; many of the old pathways have degraded and the neurons are being used for other purposes.
BUDSON, Andrew E. Why is music good for the brain? Harvard Health Publishing, 7 out. 2020. Disponível em:
Provas
Disciplina: Inglês (Língua Inglesa)
Banca: Consulplan
Orgão: Pref. Divinópolis-MG
Shonto Begay, artista, poeta e diretor cinematográfico, nasceu na nação Navajo, Estados Unidos. “Grandmother”, apresentado para leitura e exame a seguir, exibe algumas de suas impressões acerca da cultura dos povos originários norte-americanos que estão especificamente conectadas às escolhas representadas em:
Grandmother
Grandmother was strong, like a distant mesa.
From her sprang many stories of days long ago.
From her gentle manners
Lessons were learned
Not easily forgotten.
She told us time and again
That the earth is our mother,
Our holy mother.
“Always greet the coming day
by greeting your grandparents,
Ya at eeh Shi cheii (Hello, My Grandfather)
To the young juniper tree.
Ya at eeh Shi masani (Hello, My Grandmother)
To the young pinon tree.”
The lines in her face were marks of honor,
Countless winters gazing into the blizzard,
Many summers in the hot cornfield.
Her strong brown hands, once smooth,
Carried many generations,
Gestured many stories,
Wiped away many tears.
The whiteness of her windblown hair,
A halo against the setting sun.
My grandmother was called Asdzan Alts iisi,
Small Woman. Wife of Little Hat,
Mother of generations of Bitter Water Clan,
She lived 113 years.
(Disponível em: https://cassandraljackson.tripod.com/cassandrasreadingcorner/id133.html. Acesso em: outubro de 2024.)
Provas
Disciplina: Inglês (Língua Inglesa)
Banca: Consulplan
Orgão: Pref. Divinópolis-MG
O emprego da forma verbal destacada na letra da canção “Somewhere only we know” da banda inglesa Keane, cantada nos shows pelo Brasil em 2024, justifica-se por:
I walked across an empty land
I knew the pathway like the back of my hand
I felt the earth beneath my feet
Sat by the river and it made me complete
Oh, simple thing, where have you gone?
I'm getting old, and I need something to rely on
So, tell me when you're gonna let me in
I'm getting tired, and I need somewhere to begin
I came across a fallen tree
I felt the branches of it looking at me
Is this the place we used to love?
Is this the place that I've been dreaming of?
Oh, simple thing, where have you gone?
I'm getting old, and I need something to rely on
So, tell me when you're gonna let me in
I'm getting tired, and I need somewhere to begin
And if you have a minute, why don't we go
Talk about it somewhere only we know?
This could be the end of everything
So, why don't we go somewhere only we know?
Somewhere only we know
Oh, simple thing, where have you gone?
I'm getting old, and I need something to rely on
So, tell me when you're gonna let me in
I'm getting tired, and I need somewhere to begin
And if you have a minute, why don't we go
Talk about it somewhere only we know?
This could be the end of everything
So, why don't we go?
So, why don't we go?
Ooh, oh-oh
Ah, oh
This could be the end of everything
So, why don't we go somewhere only we know?
Somewhere only we know
Somewhere only we know
(Disponível em: https://www.letras.mus.br/keane. Acesso em: outubro de 2024.)
Provas
Disciplina: Inglês (Língua Inglesa)
Banca: Consulplan
Orgão: Pref. Divinópolis-MG
Leia o texto a seguir e avalie as afirmativas apresentadas.
The conceptual and epistemological grounds of literacy are being stretched as the encoded worlds we navigate increasingly interpenetrate multicultural, multilingual, and multimodal contexts. The twenty-first century finds us at a critical juncture for reevaluating English language and literacy teaching agendas. The technological revolution has facilitated and augmented human communication such that everyday interactions now essentially include digital interfaces. Language, text, and discourse norms and practices are being rapidly expanded and reinvented in response to new media and global networks. The language driving the majority of intercultural web traffic is English, which reinforces its position as a global language and adds an insidious dimension of cybercolonialism. Teachers are in crisis: domains for English language socialization now extend from known geographical and social contexts to the global panorama of the virtual world in which we, too, are learners. Information and communication technologies (ICT) have created new literacies that are required by learners of all ages if they are to fairly contend for academic and economic success. Examining the evolution of literacy into multiliteracies and considering how this epistemological shift affects ELT turned out to be a necessity. Digitally responsive, pedagogically strategic, ecologically sensitive English language and literacy teaching and learning practices should, thus, be discussed.
(Available: https://www.researchgate.net/publication/226802846_From_Literacy_to_Multiliteracies_in_ELT. Adapted.)
I. As línguas são fenômenos (geo)político, histórico, social, variável, heterogêneo e sensível aos contextos de uso, sendo eles essenciais para o reconhecimento e a vivência da língua como forma de expressão identitária.
II. Ressalta-se a tendência hegemônica da língua inglesa em ambientes virtuais como aspecto estritamente benéfico.
III. O ensino de língua inglesa sofreu mudanças resultantes das novas concepções acerca de como os conhecimentos sobre a língua são adquiridos pelas pessoas a partir dos princípios da crença, verdade e justificativa.
Está correto o que se afirma apenas em
Provas
Disciplina: Inglês (Língua Inglesa)
Banca: Consulplan
Orgão: Pref. Divinópolis-MG
Leia o texto a seguir atentamente.
The proliferation of approaches and methods is a prominent characteristic of contemporary second and foreign language teaching. To some, this reflects the strength of the teaching profession. Invention of new classroom practices and approaches to designing language programs and materials reflects a commitment to finding more efficient and more effective ways of teaching languages. The classroom teacher and the program coordinator have a wider variety of methodological options to choose from than ever before. They can choose methods and materials according to the needs of learners, the preferences of teachers, and the constraints of the school or educational setting. To others, however, the wide variety of method options currently available confuses rather than comforts. Methods appear to be based on very different views of what language is and how a language is learned. Some methods recommend apparently strange and unfamiliar classroom techniques and practices; others are described in books that are hard to locate, obscurely written, and difficult to understand. Above all, the practitioner is often bewildered by the lack of any comprehensive theory of what an approach and method are.
Some of the responses to these issues may take the form of new approaches and methods as the teaching profession responds to the findings of new research and to the developments in educational theory and practice. The initiatives for changing programs and pedagogy may come from within the profession as well as from demands of a political, social, or even fiscal nature. Therefore, identifying some of the factors that have influenced language teaching trends’ shifts in the past, and that can be expected to continue to do so in the future, is relevant.
(Available: https://www.novaconcursos.com.br/blog/pdf/richards-jack-c.-&-rodgers.pdf. Adapted.)
Consideram-se exemplos dos fatores aos quais se refere o segundo parágrafo, EXCETO:
Provas
Disciplina: Inglês (Língua Inglesa)
Banca: IGEDUC
Orgão: Pref. Garanhuns-PE
Learning the English language solely contributes to the professional integration of students, neglecting other social and cultural aspects.
Provas
Disciplina: Inglês (Língua Inglesa)
Banca: IGEDUC
Orgão: Pref. Garanhuns-PE
Learning the English language contributes to the development of intercultural awareness among students.
Provas
Disciplina: Inglês (Língua Inglesa)
Banca: IGEDUC
Orgão: Pref. Garanhuns-PE
Teaching English as a lingua franca exclusively values the linguistic patterns of native English speakers, such as Americans and Britons.
Provas
Disciplina: Inglês (Língua Inglesa)
Banca: IGEDUC
Orgão: Pref. Garanhuns-PE
Interdisciplinarity emerged as a response to the fragmentation of knowledge that occurred mainly in the 19th century.
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