Foram encontradas 330 questões.
Read the paragraph below to answer questions from 36 to 40.
Despite the challenges posed by economic fluctuations and political uncertainty, Brazil’s graphic design industry remains resilient and adaptable. With a strong sense of creativity, resourcefulness, and entrepreneurial spirit, Brazilian graphic designers continue to push the boundaries of innovation and creativity, reaffirming their position as key players in the global design landscape.
In the first period of the paragraph above, the word “despite” can be correctly replaced by in spite of without changing the meaning of the sentence.
Provas
Read the paragraph below to answer items from 33 to 35.
In addition to traditional print media, Brazilian graphic designers are increasingly exploring digital platforms, social media, and interactive experiences to engage with audiences in new and exciting ways. With the rise of e-commerce and digital marketing, there is a growing demand for designers who can create visually compelling content that captures the attention of online consumers.
According to the ideas expressed in the paragraph above, it is correct to infer that Brazilian designers are outdated and need to find a way to reach online consumers.
Provas
Texto para itens de 1 a 10.
1 A indústria têxtil é uma das indústrias mais
consolidadas do Brasil, com a maior cadeia têxtil
completa do Ocidente. Há projeção de o País se tornar
4 o maior exportador de algodão do mundo em 2024,
segundo a Associação Brasileira da Indústria Têxtil e
de Confecção (ABIT). Ao todo, são 160 mil toneladas
7 de resíduos têxteis gerados anualmente, muitos dos
quais, como é o caso do jeans e dos tecidos sintéticos,
contêm metais pesados que podem contaminar o solo ou
10 corpos hídricos.
Os impactos do jeans nas águas superficiais são
diversos. Maria Eliza Hassemer, doutora em engenharia
13 ambiental e professora da Universidade Federal de
Santa Catarina (UFSC), aponta três principais: descarte
de produtos químicos; resíduos industriais; e consumo
16 de água. “O processo de lavagem na produção de jeans
envolve grandes quantidades de água, muitas vezes
contendo detergentes e outros produtos químicos. O
19 descarte inadequado desses produtos químicos pode
contaminar as águas superficiais, causando poluição e
afetando a qualidade do corpo hídrico receptor”, afirma.
22 Segundo dados de 2020 do Programa das Nações Unidas
para o Meio Ambiente (PNUMA), a produção de uma
calça jeans consome 3.789 litros de água, sem contar o
25 tingimento com produtos químicos poluentes.
No Brasil, são fabricados dois tipos de jeans: o
premium, feito 100% de algodão; e o misto, composto
28 de algodão com poliéster e, às vezes, com poliuretano,
conhecido também como lycra. Ambos são tingidos
com corantes sintéticos, que contêm poluentes. O mais
31 produzido no País é o misto, que é mais barato, mas
apresenta problemas na decomposição, devido à mistura
de fibras. “Essa mistura dificulta qualquer possibilidade
34 de reciclagem e de transformação do tecido do jeans
em fibra novamente”, ressalta Júlia Baruque Ramos,
professora da Escola de Artes, Ciências e Humanidades
37 da Universidade de São Paulo (USP) e pesquisadora na
área de reciclagem têxtil.
Internet: <www.cartacapital.com.br> (com adaptações).
Com base nas ideias do texto, julgue os itens que se seguem.
A partir da leitura do texto, é correto inferir que o jeans premium não apresenta problemas de decomposição.
Provas
Read the paragraph below to answer questions from 36 to 40.
Despite the challenges posed by economic fluctuations and political uncertainty, Brazil’s graphic design industry remains resilient and adaptable. With a strong sense of creativity, resourcefulness, and entrepreneurial spirit, Brazilian graphic designers continue to push the boundaries of innovation and creativity, reaffirming their position as key players in the global design landscape.
The words “resilient”, “adaptable” and “push” are Portuguese false cognates.
Provas
Read the paragraph below to answer questions from 36 to 40.
Despite the challenges posed by economic fluctuations and political uncertainty, Brazil’s graphic design industry remains resilient and adaptable. With a strong sense of creativity, resourcefulness, and entrepreneurial spirit, Brazilian graphic designers continue to push the boundaries of innovation and creativity, reaffirming their position as key players in the global design landscape.
The paragraph exposes some difficulties graphic designers face in Brazil, such as a lack of creativity and entrepreneurial spirit.
Provas
Read the paragraph below to answer questions from 36 to 40.
Despite the challenges posed by economic fluctuations and political uncertainty, Brazil’s graphic design industry remains resilient and adaptable. With a strong sense of creativity, resourcefulness, and entrepreneurial spirit, Brazilian graphic designers continue to push the boundaries of innovation and creativity, reaffirming their position as key players in the global design landscape.
The pronoun “their” refers to the word “players”.
Provas
Read the paragraph below to answer questions from 36 to 40.
Despite the challenges posed by economic fluctuations and political uncertainty, Brazil’s graphic design industry remains resilient and adaptable. With a strong sense of creativity, resourcefulness, and entrepreneurial spirit, Brazilian graphic designers continue to push the boundaries of innovation and creativity, reaffirming their position as key players in the global design landscape.
The word “resourcefulness” is formed by the noun “resource” and two suffixes, -ful and -ness. It means the ability to find quick and clever ways to overcome difficulties.
Provas
Read the paragraph below to answer items from 33 to 35.
In addition to traditional print media, Brazilian graphic designers are increasingly exploring digital platforms, social media, and interactive experiences to engage with audiences in new and exciting ways. With the rise of e-commerce and digital marketing, there is a growing demand for designers who can create visually compelling content that captures the attention of online consumers.
The word “increasingly” is the adverb form of the adjective “to increase”.
Provas
Read the paragraph below to answer items from 33 to 35.
In addition to traditional print media, Brazilian graphic designers are increasingly exploring digital platforms, social media, and interactive experiences to engage with audiences in new and exciting ways. With the rise of e-commerce and digital marketing, there is a growing demand for designers who can create visually compelling content that captures the attention of online consumers.
The phrase “Brazilian graphic designers are increasingly explorin” is in the present progressive tense.
Provas
Read the paragraph below to answer items 31 and 32.
In the realm of visual communication, graphic design transcends mere aesthetics; it serves as a powerful catalyst for societal change, shaping perceptions, influencing behaviors, and fostering connections on a global scale.
Internet: <www.linkedin.com> (adapted)
The verb “to serve” is conjugated in the 3rd person singular of the present simple, agreeing with the pronoun “it”.
Provas
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