Nas empresas pertencentes ao setor econômico concentrado, como é caso do setor de indústria, o comportamento e desempenho de uma organização têm reflexo direto sobre as outras empresas do setor.

Uma das peculiaridades desse setor econômico é

Read the following excerpt from Nathaniel Hawthorne’s The scarlet letter in order to answer the question.

The scarlet letter

‘’The door of the jail being flung open from within, there appeared, in first place, like a black shadow emerging into the sunshine, the grim and grisly presence of a guard, with a sword by his side. This personage prefigured and represented in his aspect the whole dismal severity of the Puritanic code of law, which it was his business to administer in its final and closest application to the offender. Stretching forth his left hand, he laid his right upon the shoulder of a young woman, whom he thus drew forward; until, on the edge of the prison door, she repelled him, by an action marked with natural dignity and force of character, and stepped into the open air, as if by her own free will. She bore in her arms a child, a baby some three months old, who winked and turned aside its little face from the too vivid light of day; because its existence, until now, had brought it acquainted only with the gray twilight of a dungeon, or other darksome apartment on the prison.

When the young woman – the mother of this child – stood fully revealed before the crowd, it seemed to be her first impulse to clasp the infant closely to her bosom; not so much by an impulse of motherly affection, as that thereby she might conceal a certain token, which was wrought or fastened into her dress. In a moment, however, wisely judging that one token of her shame would but poorly serve to hide another, she took the baby on her arm, and, with a burning blush, and yet a haughty smile, and a glance that would not be abashed, looked around at her townspeople and neighbors. On the breast of her gown, in fine red cloth, surrounded with an elaborate embroidery and fantastic flourishes of gold thread, appeared the letter ‘’A’’. It was so artistically done, and with so much fertility and gorgeous luxuriance decoration to the apparel which she wore; and which was of a splendor in accordance with the taste of the age, but greatly beyond what was allowed by the regulations of the colony.

The young woman was tall, with a figure of perfect elegance, on a large scale. She had dark and abundant hair, so glossy that it threw off the sunshine with a gleam, and a face which, besides being beautiful from regularity of feature and richness of complexion, had the impressiveness belonging to a marked brow and deep black eyes. She was lady-like, too, after the manner of the feminine gentility of those days; characterized by a certain state and dignity, rather than by the delicate, evanescent, and indescribable grace, which is now recognized as its indication. And never had Hester Prynne appeared more lady-like, in the antique interpretation of the term, than as she issued from the prison. Those who had before known her, and had expected to behold her dimmed and obscured by a disastrous cloud, were astonished, and even startled, to perceive how her beauty shone out, and made a halo of the misfortune and ignominy in which she was enveloped. It may be true, that, to a sensitive observer, there was something exquisitely painful in it. Her attire, which, indeed, she had wrought for the occasion, in prison, and had modeled much after her own fancy, seemed to express the attitude of her spirit, the desperate recklessness of her mood, by its wild and picturesque peculiarity. But the point which drew all the eyes of the surrounding crowd, and, as it were, transfigured the wearer, - so that both men and women who had been familiarly acquainted with Hester Prynne, were now impressed as if they beheld her for the first time, - was that SCARLET LETTER, fantastically embroidered and illuminated upon her bosom. It had the effect of a spell, taking her out of the ordinary relations with humanity, and inclosing her in a sphere by herself”.

HAWTHORNE, N. The scarlet letter. New York: Dover Publications, 1994.

Considering the passage, it is possible to state about Hester’s character and about her attitude towards the severity of the puritan code of law, that

Quanto à finalidade ou à função, os parafusos podem ser assim classificados:

Uma organização é produtiva quando consegue atingir seus objetivos, transformando matéria prima em produto ao mais baixo custo possível. As medidas mais comuns de eficiência organizacional incluem

Françoise Benhamou, em sua obra A economia da cultura, analisa as diferenças entre os modelos anglosaxão e francês de financiamento da cultura. Leia atentamente as proposições abaixo.

I. O modelo anglo-saxão dá prioridade ao repasse de subvenções a órgãos independentes, que se incubem de distribuí-las às entidades solicitantes.

II. No modelo francês há um ministério que administra diretamente as subvenções.

III. A ajuda pública direta per capita é menor na França do que nos Estados Unidos ou na Grã-Bretanha.

Sobre as proposições acima, é adequado afirmar que

Quais as funções básicas do administrador cultural, segundo o Dicionário crítico de política cultural?

A Conferência de Genebra, convocada pelo governo francês em 1954, contou com grandes potências, como Estados Unidos, União Soviética e China, para tratar da situação de Vietnã, Laos e Camboja. Em relação ao Camboja foi deliberado

A obra de João Gomes Filho, “Gestalt do Objeto”, organiza e sistematiza conceitos acerca do sistema de leitura visual da forma. Associe os termos que se encontram no primeiro bloco, de acordo com os conceitos do segundo.

1- Unidade –

2- Sobreposição –

3- Profusão –

4- Exageração –

( ) Conjunto de mais de um elemento, configurando o “todo” propriamente dito, ou seja, o próprio objeto.

( ) Associada ao poder da riqueza como nos estilos formais góticos, barrocos, arte deco, etc, de produtos e de edificações arquitetônicas.

( ) Configurações extravagantes, visando a uma expressão visual intensa e ampliada, no todo ou em partes definidas do objeto.

( ) Organização de elementos uns em cima de outros, que podem ser opacos, translúcidos ou transparentes, expressa a interação de estímulos visuais situando pelo menos duas figuras e ativando a composição relacionada.

A sequência correta de preenchimento dos parênteses, de cima para baixo, é

Leia com atenção as afirmativas a seguir acerca dos diferentes movimentos entre peça e ferramenta em um processo de usinagem.

I. O movimento de corte é o movimento entre a peça e a ferramenta, o qual sem o movimento de avanço origina somente uma remoção de cavaco durante uma volta ou curso.

II. O movimento efetivo de corte é o resultante unicamente do movimento de avanço da ferramenta sobre a peça.

III. O movimento de avanço é o movimento entre a peça e a ferramenta que, juntamente com o movimento de corte, origina um levantamento repetido e contínuo do cavaco durante várias revoluções ou cursos.

Das afirmativas anteriores, qual(is) está(ão) correta(s)?

Sobre as manufaturas reais na França pré-revolucionaria, é correto afirmar que