Magna Concursos

Foram encontradas 60 questões.

Durante o controle de despesas mensais, utilizou-se o Microsoft Excel, em português, para registrar os gastos com materiais de escritório. Os valores foram inseridos nas células de B2 até B6. Para calcular o total das despesas, deseja-se usar a função SOMA de forma correta e eficiente, sem somar célula por célula manualmente. Assinale a alternativa que apresenta a fórmula que se deve utilizar para obter corretamente o total entre as células B2 e B6.
 

Provas

Questão presente nas seguintes provas
Um corredor treina em uma pista circular que tem 100 metros de diâmetro. O número de voltas que ele precisa percorrer para completar a distância de 20 quilómetros está no intervalo entre
 

Provas

Questão presente nas seguintes provas
Uma senha tem 4 letras dentre as vogais AEIOU e deve seguir as seguintes regras:

• Nenhuma letra pode aparecer mais do que duas vezes;
• A letra A só pode aparecer na primeira posição;
• A letra U só pode aparecer na última posição.

O número de possibilidades de senhas é:
 

Provas

Questão presente nas seguintes provas
O menor número inteiro que é múltiplo de todos os inteiros entre 2 e o sexto número primo é:
 

Provas

Questão presente nas seguintes provas
Uma progressão aritmética (PA) de razão x ≠ 0 e uma progressão geométrica (PG) de razão y começam ambas no número 2 e possuem os dois primeiros termos coincidentes. Sabendo que o terceiro termo da PG coincide com o quinto da PA, pode-se afirmar
 

Provas

Questão presente nas seguintes provas
Um exemplar da bandeira do Brasil mede 20 metros de comprimento por 14 metros de altura. Sabendo-se que o losango interno a ela tem diagonais medindo 16,6 e 10,6 metros, a área da parte verde da bandeira mede:
 

Provas

Questão presente nas seguintes provas
A equação de segundo grau αx2 – 6x + c = 0 0 tem raízes 2 e 1/2. O valor de α + c é
 

Provas

Questão presente nas seguintes provas
Texto para a questão
Leveraging Student Interests to Teach Critical Analysis
    Critical analysis often feels burdensome to students—an exercise in sorting hazy ideas with no clear payoff. Yet, when learners glimpse something of value—a “gem” amid the clutter—the process becomes not just manageable but invigorating. By tapping into topics they already care about, we can model the habits of mind involved in deep thinking before guiding students into unfamiliar territory. In this way, what begins as an exploration of personal passion becomes a transferable skill for any subject.
    First, invite students to choose a subject that genuinely interests them—whether it’s dissecting the social commentary in a favorite song or debating the ethics of a beloved athlete’s off-field behavior. Guide them through selecting an analytical angle, unpacking layers of meaning, and celebrating discoveries. As they experience critical analysis as an energizing process rather than a dry requirement, they build confidence in their own intellectual curiosity and learn to seek connections between ideas.
    Next, when faced with assignments that initially seem remote—say, an art critique or a historical essay—provide a lens that resonates with each student’s strengths. A budding fiction writer, for example, can approach a painting as she would a story: considering character, narrative arc, and emotional impact. By framing unfamiliar topics through familiar mindsets, you grant students an entry point that makes critical analysis feel both relevant and compelling.
    Once students have internalized the underlying process, encourage them to take the reins. Rather than asking, “What does this mean?” shift to, “What does this mean to me?” Students might analyze ecological themes in a novel from their passion for climate justice, or reinterpret a political speech through the lens of family heritage. These personal connections transform assignments from obligatory tasks into opportunities for authentic inquiry.
    Ultimately, teaching critical analysis in this way moves learners from guided practice to independent exploration. By beginning with their interests, scaffolding new angles, and then inviting student-driven investigations, educators can help every learner—from the avid gamer to the reluctant essaywriter—carry these skills into diverse subjects. In doing so, critical analysis becomes not a chore but a doorway to richer understanding.
Edutopia, May, 1st, 2025
Leia o excerto a seguir que apresenta um resumo, em inglês, do texto original:

“After modeling the analysis process through students’ interests and providing familiar lenses for new topics, the author suggests that in the final stage, students independently apply this method to subjects previously unknown to them.”

Em relação ao trecho apresentado, qual das situações descritas a seguir melhor exemplifica o estágio em que o aluno “tome o controle” do próprio processo de aprendizagem?
 

Provas

Questão presente nas seguintes provas
Texto para a questão
Leveraging Student Interests to Teach Critical Analysis
    Critical analysis often feels burdensome to students—an exercise in sorting hazy ideas with no clear payoff. Yet, when learners glimpse something of value—a “gem” amid the clutter—the process becomes not just manageable but invigorating. By tapping into topics they already care about, we can model the habits of mind involved in deep thinking before guiding students into unfamiliar territory. In this way, what begins as an exploration of personal passion becomes a transferable skill for any subject.
    First, invite students to choose a subject that genuinely interests them—whether it’s dissecting the social commentary in a favorite song or debating the ethics of a beloved athlete’s off-field behavior. Guide them through selecting an analytical angle, unpacking layers of meaning, and celebrating discoveries. As they experience critical analysis as an energizing process rather than a dry requirement, they build confidence in their own intellectual curiosity and learn to seek connections between ideas.
    Next, when faced with assignments that initially seem remote—say, an art critique or a historical essay—provide a lens that resonates with each student’s strengths. A budding fiction writer, for example, can approach a painting as she would a story: considering character, narrative arc, and emotional impact. By framing unfamiliar topics through familiar mindsets, you grant students an entry point that makes critical analysis feel both relevant and compelling.
    Once students have internalized the underlying process, encourage them to take the reins. Rather than asking, “What does this mean?” shift to, “What does this mean to me?” Students might analyze ecological themes in a novel from their passion for climate justice, or reinterpret a political speech through the lens of family heritage. These personal connections transform assignments from obligatory tasks into opportunities for authentic inquiry.
    Ultimately, teaching critical analysis in this way moves learners from guided practice to independent exploration. By beginning with their interests, scaffolding new angles, and then inviting student-driven investigations, educators can help every learner—from the avid gamer to the reluctant essaywriter—carry these skills into diverse subjects. In doing so, critical analysis becomes not a chore but a doorway to richer understanding.
Edutopia, May, 1st, 2025
Na oração “Once students have internalized the underlying process, encourage them to take the reins.” a expressão take the reins tem o mesmo sentido da expressão destacada em: 
 

Provas

Questão presente nas seguintes provas
Texto para a questão
Leveraging Student Interests to Teach Critical Analysis
    Critical analysis often feels burdensome to students—an exercise in sorting hazy ideas with no clear payoff. Yet, when learners glimpse something of value—a “gem” amid the clutter—the process becomes not just manageable but invigorating. By tapping into topics they already care about, we can model the habits of mind involved in deep thinking before guiding students into unfamiliar territory. In this way, what begins as an exploration of personal passion becomes a transferable skill for any subject.
    First, invite students to choose a subject that genuinely interests them—whether it’s dissecting the social commentary in a favorite song or debating the ethics of a beloved athlete’s off-field behavior. Guide them through selecting an analytical angle, unpacking layers of meaning, and celebrating discoveries. As they experience critical analysis as an energizing process rather than a dry requirement, they build confidence in their own intellectual curiosity and learn to seek connections between ideas.
    Next, when faced with assignments that initially seem remote—say, an art critique or a historical essay—provide a lens that resonates with each student’s strengths. A budding fiction writer, for example, can approach a painting as she would a story: considering character, narrative arc, and emotional impact. By framing unfamiliar topics through familiar mindsets, you grant students an entry point that makes critical analysis feel both relevant and compelling.
    Once students have internalized the underlying process, encourage them to take the reins. Rather than asking, “What does this mean?” shift to, “What does this mean to me?” Students might analyze ecological themes in a novel from their passion for climate justice, or reinterpret a political speech through the lens of family heritage. These personal connections transform assignments from obligatory tasks into opportunities for authentic inquiry.
    Ultimately, teaching critical analysis in this way moves learners from guided practice to independent exploration. By beginning with their interests, scaffolding new angles, and then inviting student-driven investigations, educators can help every learner—from the avid gamer to the reluctant essaywriter—carry these skills into diverse subjects. In doing so, critical analysis becomes not a chore but a doorway to richer understanding.
Edutopia, May, 1st, 2025
Assinale a alternativa que apresenta, resumidamente, o sentido geral do texto.
 

Provas

Questão presente nas seguintes provas